Thrace & the Rhodopes

On the Eastern Thracian plain in modern day Bulgaria lies Plovdiv, a many-layered city spread across several hills & atop capricious plates. I stayed in the steep, cobbled old town which crumbles over the Soviet-designed modern centre. Visible underneath is a Roman city whose contours still define the modern street plan. A 1970s earthquake exposed a large amphitheatre and looking south from the top row of seats, the jagged Rhodope Mountains line the horizon, creating a natural border with Greece.

Deep within the Rhodope Mountains lies the Devil’s Throat, a cave complex where Orpheus descended into the underworld to rescue Eurydice only to look back and lose her forever. The mountain roads crawl up to modern ski resorts and dip down to dense wood-lined valleys. Scattered in the mountains are low-walled foundations and white stone burial chambers; remnants of the ancient land of the Thracians.

Plovdiv

I crisscrossed the valleys in a series of minibuses, bought Mursalski, an aphrodisiac tea & in the evenings, drank wine grown from Thracian vines. I stayed a night in Eliza’s Guesthouse in Trigrad, a village close to a roaring gorge and followed Orpheus’ footsteps into the underworld. Eliza cooked Rhodope Pie for me, a Bulgarian version of Tortilla Espanola, puffed with local potatoes and mountain herbs. She was in her fifties, a teacher, and her wrists were strung with red & white Martenitsa, awaiting the spring. We spoke about the Soviet era and her attitude was even-handed. Everyone had jobs & pensions but little freedom and the atmosphere was one of suspicion even in small villages. You had to constantly look over your shoulder.

Heading back to Plovdiv, I stopped off in the Rhodope foothills at the Monastery of Bachkovo. The monastic buildings are coloured with frescos & thick with incense, shielded by a perimeter of stone walls. My guidebook suggested an overnight stay was possible & I was intrigued. I’ve slept in caves & luxury Paradores, in castles and even a tent in my back garden in London, but never in a monastery.

“Do you speak English?” I asked a group of monks. No, they didn’t. “German?” they asked. I didn’t. “French?” Umm. I was given an interview with one of the Fathers in an oak-lined study. His French was far superior to mine but we found common ground and I left with a large iron key and a warning to be back by dusk when the monastery closes its doors to the outside world. I took the bus back to Plovdiv, buying bread and cheese & wine, hiding the bottle in my rucksack, unsure of Eastern Orthodox protocol regarding alcohol. It was red wine, at least.

The room was square & plain with polished wooden floors and a southern window onto the Rhodopes. I read Kapka Kassabova’s memoir of growing up in Soviet Bulgaria and ate a simple meal. The plumbing clunked a little but then settled down and quickly became noiseless. By late-evening the monastery was in complete darkness & the silence was total. There was nothing to do but go to bed. I was awoken by a cliché; a cockerel crowing from the monastery’s in-house menagerie. The best night’s sleep I’ve had since the children were born.

Rock in Vaduz

Vaduz is a neat village masquerading as a capital city and I stayed a night while hopping between Austria & Switzerland. Pricey business hotels lined the main street but cheaper accommodation lay just outside the centre and I was drawn in by a tall brick B&B sporting a wall of blinking flashbulbs. The manager of the pension was a little unwelcoming; “Rock band” he said glumly, and pointed to the floor.

Steps led down from the lobby to a door marked “DISCO BAR”. I asked for a top floor bedroom but still the percussion rattled my shutters. I couldn’t beat the noise so I joined it. Who knew Liechtenstein had an alternative rock scene? Well here it was, squashed loud & sweaty into the basement of my pension. Pierced Goths, tattooed metalheads and, incongruously, a smartly dressed 50 something couple were all shoehorned into this tight space.

A band, sounding like a Germanic Black Sabbath played forever. The singer wrapped himself around the microphone as the band ran through the usual rock clichés. They even had a stage-diver although there’s little danger in leaping from a foot high stage onto an empty dancefloor. After four unearned encores the band shuffled off. “Goodnight, Vaduz!” shouted the singer swaggering off in leather trousers and sunglasses. He headed directly over to the 50 somethings and gave them both a kiss, blowing his cool somewhat as they turned out to be his parents.

Catching the bus from Dilijan to Vanadzor

I bought my ticket and sat outside the small bus station in Dilijan. This pretty Armenian spa town quietly markets itself as Little Switzerland & is perched high in the green hills, far away from the dusty earthquake-battered capital, Yerevan. It was the final bus of the day and the sun was dipping into the horizon. It was also twenty minutes late and the driver, in a bid to recover time, accelerated past the terminal. I stood up, flapping my arms around. Two staff from the bus station came out, also flapping their arms & then disappeared back into the station. The bus turned a corner and left town. If I didn’t get to Vanadzor, I couldn’t get to Tbilisi in Georgia. If I couldn’t get to Tbilisi, I couldn’t get home to London. I was travel-stained & tired. So, I did what I always do in situations of utter hopelessness. I kicked my rucksack.

Concrete Beauty

But then the two bus station employees reappeared & ushered me into a mud-splattered minivan. We raced off in pursuit, running red lights and leaning on the horn to scatter the traffic.  Luckily our target was an old American school bus and we glimpsed its taillights a mile out of town, crawling up an incline in first gear. The minivan shunted past and drew to an abrupt stop in front of the startled driver. There followed a further series of arm signals until the bus door hissed open and I climbed the steps waving my ticket and pointing back to the town trying to explain the situation in the absence of shared language.

 

After this unlikely start, the bus inched up a narrow ridge riding above the beautiful villages belonging to the Molokans. Rejecting orthodoxy, the Molokans are an ultra-conservative group who face away from the modern world and live in steep green valley settlements like Fioletovo.

The bus crunched through the narrow passes with the valley spread out below; patterned by hayricks and smoking chimneys & populated by men on horseback and women in black headscarves. Lilac dusk dropped across the valley and as the light diminished and the senses readjusted, the tang of woodsmoke drifted into the bus and I slept the final miles into Vanadzor. This is how I will always remember Armenia; a beautiful journey made possible by a spontaneous act of kindness.

Lake Ohrid, Macedonia

I took a stroll on my first morning around the rim of Lake Ohrid, photographing the sun as it filtered through the reeds. A local fisherman, fluent in English and pushy in business, tried to sell me a 50 euro boat ride to Albania. I thanked him and kept walking.

Around the headland the path dipped to the rocks below and a controlled stumble brought into view a half-moon of sharp white stones; a hidden beach! I came back each morning, slowly building a tan.

Ohrid’s beauty is characterized by a single church; St. John Kaneo; set high above the lakefront. The spare beauty of this 13th century church & the power of its position have made the site famous across the Balkans. I walked this way just after dawn, in the heat of the day and then in twilight, just to see the church and lake in different lights.

I bumped into the Ohrid fisherman again. “Albania, 40 euros” he said. I spread my arms in a “why would I wish to leave here” gesture. “No problem” he smiled and I brushed past.

Ohrid was a tourist hotspot but also an architectural town. Layers of history were woven into the fabric of the place; A classical amphitheatre, Byzantine churches, an Ottoman bazaar. On the waterfront were pizzerias, ice-cream parlours and tourist tat shops. The Cyrillic language developed in Ohrid but since Yugoslavia broke up the young people have schooled themselves in English and spoke it better than I did.

I stayed longer than I intended, relaxing on my beach, planning the next step to Kosovo and enjoying the lazy days. On my final night, I photographed the church in moonlight and headed home to pack. A recognizable figure barred my path. This time it was 30 euros, “final offer.” “I really don’t want to go to Albania” I pleaded.

Pristina Newborn

The Republic of Kosova isn't universally recognized but it winked at me from across the Macedonian border and represented the final piece of my Yugoslavian jigsaw.

I boarded an old diesel bus which crunched up the hill from Skopje, joined at the border by KFOR-trained dogs, who sniffed and snapped at my rucksack but found nothing more dangerous than dirty underwear.

My highly visible Kosovan passport stamp virtually rules out any further visits to Serbia, it's non-acceptance of the succession territory pivotal to the Serbian Government. So be it, Belgrade. Once into Kosovan territory, the green border hills looked stunning and alive in the November sunshine.

The bus dropped to a dusty plateau, a countrywide construction site as Kosovo rebuilds. The capital, Pristina was a typical Balkan mixture of Ottoman market and Soviet slab-blocks. I walked through graffiti heavy streets as traffic noise competed with the call to prayer and followed Bill Clinton Boulevard, flanked by giant posters of Tony Blair; "Leader, Friend, Hero". You won't see these in England. In the centre of town sits the National Library, a boxy defensive building, dressed with chainmail. Perhaps the weight of history has forced Kosovans to protect their literature or maybe it's just another architectural adventure in post-modernism from central planning.

Although never too far from a bullet-scored wall or a weed-filled plot of blasted masonry, Pristina was full of life. Half of its population is under 25. The cafes and bars were full of smart teenagers, talking into phones on borrowed mobile networks and able to flip to fluent English in an instant. A concrete sculpture spells it out; NEWBORN. Pristina is finding a new voice and the young carry it.

Reszel Castle, Poland

An atmospheric wood-paneled apothecary stood near the main square. A tiny bell chimed as I opened the door. High on a shelf rested black iron scales. The language barrier was a problem so I just pointed at my head and said “Boom!”, the universal expression of headache.

Armed with a couple of tablets I walked back through the old town to the castle under a deep blue November sky.

Then, the mist rolled in. That deep blue sky from a paragraph ago quickly blanked and smudged. From a clear view of smoky chimneys, you suddenly couldn’t see the hand on the end of your arm. The mist lay thick and low and as the streetlights flickered on, dim yellows swirled into the mix.

Bordered by the Russian exclave of Kaliningrad to the east and buffeted on the north by the Baltic Sea, this remote Polish region of lakes and giant brick churches is quiet in the winter months. The castle dates back to the 14th century but battered by wars and requisitioned by Prussians and communists, what’s left is a medieval keep surrounded by crumbling stone walls. The remaining rooms have been converted into a lovely hotel.

Our room was an atmospheric circular guard tower. Wooden stairs twined around the inner wall and each floor had its own microclimate. Old arrow slits looked across the town’s twisting river and a squadron of mosquitoes hiked over to feast on us at night. The castle’s furniture had been carved by the Polish sculptor Boleslaw Marschall and fitted snugly against the curved tower walls. A television and downstairs toilet muted the medieval atmosphere and we bathed our six month old baby in the Jacuzzi.

In the evening, branches flitted against the skylights and threw shadows around the walls. We walked to the church. Inside a lone figure rocked back and forth in the pew, eyes closed, hands clasped. We tiptoed out, passing a woman in rags poking into litter bins with her walking stick.

The last woman hanged in Europe for witchcraft supposedly haunted the castle, but we never saw her. Instead we bolted the door and watched a scarily bad Jean-Claude Van Damme film, dubbed into Polish. We drank Hungarian Tokai and cheap Latvian sparkling wine. In the morning I was back at the apothecary, pointing once more at my head and saying “Boom!”

Pixel im Hof, Linz, Austria

“It is an unusual room,” says my contact at the Pixel-Hotel in Linz.

I’m a little flustered having missed a bus connection from the airport and then losing my way in the evening drizzle.

I collapse onto an uncomfortable wire chair as she demonstrates keys and lights. “Don’t forget the cloakroom is in the industrial elevator,” she says. “Bye!”

Linz, in Northern Austria, is 2009’s European Capital of Culture. PixelHotel is a project running in tandem with the city’s moment in the spotlight, converting a cluster of urban spaces into unusual accommodations. There are more conventional hotels in Linz, but given the choice why not stay in a garage, or an art gallery or even a tugboat?

The Pixel im Hof is a former workshop & garage set around a courtyard dating back to the 18th century. A square low double bed is pressed against one wall and a green mosaic bathroom lies tucked around the corner. To complete the scene, parked at the bottom of the bed, is a 1960s caravan.

The caravan retains the musty smell of an old-fashioned holiday. I feel as if I am stepping back into my childhood with its concealed cupboards and squeaky-hinged bedding. The only nod to the caravan’s post-modern life is an espresso machine and minibar. I bounce on the seat and decades of dust dance around me.

A wall of lights runs behind the caravan; three rows of 12 white bulbs set behind a screen. Each bulb has its own switch for guests to suit their mood. There is a television in the corner, but why watch TV when you can create light sculptures or drink beer in a caravan?

It doesn’t stop raining for a single second during my time in Linz, but hunger eventually drives me out and I find a vegetarian restaurant; a totally unexpected discovery. I check with the waitress that the bratwurst is really vegetarian. “Yes,” she says, after a pause, “this is a vegetarian restaurant”. I blush and eat.

I walk home past the Mozarthaus where a bust of the composer guards a buttonpress which erupts with the opening adagio of the Linzer Symphony. I cross back to the main square, circle the plague column and cross the Danube. The rain defeats me and I scurry back to the Pixel-Hotel; a bottle of Grüner Veltliner tucked under my arm.

For breakfast there is a folder containing three things; a voucher, a local café list and a map. There’s no room service, of course, because there’s no room; just a former workshop with a caravan parked at the bottom of the bed.