Folkestone Triennial

The Triennial is an interesting idea; a rich businessman gathers together a collection of modern art, throws it up in the air over Folkestone and sees where it lands.

Mark Wallinger focused on the Somme. Folkestone was the main departure point for many of the 19240 killed on the first day of the battle and the artist numbered a stone for each soldier. Kids clambered over the stones while their parents wondered if they should show more respect. But hang on; was this even a war memorial?

Further along the clifftop, I sat on a bench overlooking the sea as a loudspeaker hummed into life sharing poignant letters between lovers and Somme-bound soldiers. I looked across the channel to Normandy on a hot summer’s day and couldn’t begin to imagine the trenches.

Tracey Emin’s bronze baby accessories were a popular quest. They’re tucked away under benches and over railings; a tiny sock or a dropped teddy bear. They were harder to find than the mobiles of plastic sunglasses in the Metropole ballroom or the illuminated talking head of a sign stating “HEAVEN IS A PLACE WHERE NOTHING EVER HAPPENS.”

I initially picked up a false impression of the town with its Creative Quarter, neon installations and wholefood cafes. Behind this façade lay the prosaic Folkestone; a working-class port with plenty of chip shops and chintzy b&bs. There was too much wasted space serving as overspill car parks. Two communities were here; a young art crowd in the cafes and the families drinking tinned beer on the beaches.

People talked to me as I studied my Triennial map. “Do you know where you’re going?” asked a lady on a bench, noting my hesitant walk. “Yes”, I lied. I just couldn’t bring myself to ask an octogenerian, “where is the mobile science fiction library?”

Frinton-on-Sea

This was my first visit to Frinton since childhood and I headed straight to the beach. I lay my towel by a groyne and propped my Agatha Christie book in the sand. Groups of lads arrived around midday, drinking Red Bull and playing keepy-uppy. Plastic footballs soon homed-in on me [“sorry mate”] and once the barbecues began to fire up, I surrendered and took my pinking limbs into town.

A tiny low church sat on the headland, the smallest in Essex and the first-built of many in the town. At the back stood a small remembrance garden cloaked in shadow and buzzing with bumble bees; a sunken haven of plaques on benches and respite from the May sunshine.

Frinton was the scene of an interesting modernist architectural experiment in the 1930s. It was never fully realized and so the remaining houses stand out amid the bungalows and bricks. Its legacy is a microcosm of the English attitude to housing. Some owners have bought-in to the wider idea, adding art-deco furnishings and striking ornaments. Others seem to have reacted against the whole movement, attaching porches and slate roofs. Why buy a striking white-cube box and then plonk a pitched roof on top? Why not just buy a house with a pitched roof?

Frinton's chip shop & pub are no longer seen as proof of the apocalypse. I stopped at a cafe promoting herbal teas and asked what they had. “Calamine” said the young waitress but luckily it turned out to be Camomile.

The Vineyards of Essex

“What’s an Essex girl’s favourite wine? “I wanna go Lakeside.”

Hmm, doesn’t really work written down. It would be even less funny if the punchline was “Colchester Rose” or “Ruby Royale from Maldon”, yet this most derided of counties does indeed make its own wine.

Carters Vineyard hides in a fold in the Boxted hills, just shy of Constable’s canvas. This is the Essex of flint churches with wooden spires. Rabbits jumped on the grass verges and the golden glare of rapeseed covered the spring countryside The oh-no words “Alternative Energy Centre” were inscribed beneath the vineyard sign but it just referred to a wind turbine which, incredibly, powered the whole operation. Another centre of energy in the form of a black labrador bounded at us, barking and protective. Her name was Inca and after initial suspicion, we parted the best of friends.

The wine labels tell of bygone Colchester; Queen Boudicca and Old King Coel. The Romans are thought to have grown vines close by and Boudicca’s unfortunate reinvention as the first Essex girl is based more on her fierce independence than her cruelty and bloodlust. At least I hope so. We bought a dry white and a rose, but passed on the sloe gin and fruity vodka.

Second stop was New Hall Vineyard, just south of Maldon and a much larger business than Carters. We bought a red which later went down well with an episode of Midsomer Murders. In Maldon we stopped for lunch at a pub in the High Street. A bronze relief in the beer garden told of Edward Bright, an 18th century local man who weighed 44 stones. In the bank holiday sunshine big shirtless blokes drank pints of lager. We ordered the lightest food on the menu.

A Room at the Bauhaus

Dessau isn't the most attractive town in eastern Germany. The British flattened it in the 1940s and the Soviets towerblocked it after the war. The city seems an unlikely destination for an architectural pilgrimage, but hidden away behind the station is one of the great buildings of the 20th century, the Bauhaus.

I booked a room in the Atelierhaus [student wing] of the Bauhaus for 25 euros a night. The room was high up on the third level of the building with a shiny crimson floor and a tiny lipped balcony. Internal walls were painted white to create the illusion of more space and furniture was sturdy and functional; just a bed, coat stand, storage unit and two Marcel Breuer chairs tucked under a table. Two spotlights threw shadows around the walls and I quickly tidied my possessions away. This wasn’t a room that would tolerate mess.

I remembered my own halls of residence in the north of England; the nylon carpet and the wonky shelves. Nothing like this. I used the balcony and the clear February night to chill my Riesling.

There are other Bauhaus buildings dotted around Dessau. Walter Gropius designed a low brick Employment Office and a whole suburb was built to a Bauhaus spec. Beautifully preserved are the four Meisterhausers Gropius added for the college teachers and their wives. These are now open to the public and restored closely to their original design. Beautiful as they are they appear more museum than house. Door handles are gleaming and the smell of fresh paint hangs in the stairwells. The clutter and spills of daily life have been removed.

My favourite building was the Kornhaus restaurant, a lovely sweep of glass designed by Carl Fieger in the late 1920s. I got lost in the woods looking for it and then discovered I only had eight euros in my pocket when I arrived. I ordered a salad and a fruit juice from the menu and hurried out after leaving a measly fifty-cent tip. It was the last of my cash!

Before I left Dessau, I bought a 1950s Wagenfeld cup and double saucer from the Bauhaus shop. It was so nice I bought the rest of the set from ebay for about £100 when I got back to London. A week later I was photographing some Bauhaus-inspired houses in Stanmore and found an identical set in a charity shop for £5.

Lviv, Ukraine, March 2008

Patience, I was told. You need patience to travel in Ukraine. This isn’t a cheapjet central European destination and there are no stag parties or direct flights to Stansted. English isn’t a natural second language and the alphabet is cloaked in Cyrillic. These are the things that attracted me to Ukraine.
I flew into Kyiv and then directly up to Lviv or Lvov or Lwow or even Lemberg. This is a city with plenty of names and many previous owners. It sits in the far west and once formed part of the Austro-Hungarian Empire, before rapidly changing hands between Poland, Nazi Germany, USSR and presently Ukraine. The word Ukraine, means Borderland and Lviv was its literal definition.

It’s a pretty city with a beautiful main square and hundreds of churches. I rented an apartment above the Drama Theatre in the old quarter. Squeaky parquet flooring alerted my neighbours to my precise location at any time. A market filled the outside square selling wooden tankards and Soviet medals and in the evening drunks sang below my window.

Next to the Drama Theatre stood the Opera House, built during the Hapsburg years and gloriously ornate. Then, in front of the opera house; a pig! Its snout rooting in the grass as a crowd gathered. I bought a ticket to the ballet and sat dead-centre in the upper balcony, £5 well spent. The building gleamed inside and Swan Lake floated across the stage. This was my very first ballet and I was entranced.

This constant changing of hands has benefited Lviv’s café culture. Viennese espressos competed with thicker, sludgy coffees and Lipton’s tea, drunk black, was an everpresent. In the evenings I moved on to local lager or sweet sparkling wine from Odessa.

Under the watchful eye of Ivan Fedorov, Russia's first publisher, and backing against the Church of the Assumption was a book market. Tolstoy sat next to Thomas the Tank Engine alongside Reggie Kray's memoirs. I found two 1970s Soviet guidebooks, one with faded photographs of Lviv, the other with paintings of Minsk showing strolling couples in picturesque parks. In the former, Lenin statues kept an eye on proceedings and if you wanted culture where better than the Museum of Atheism, housed in a baroque church?

I stood for ages in the rain waiting for a marshrutka to the airport for the red-eye to Kyiv. These minivans hurtle around town following complicated routes. I deciphered the Cyrillic in the windscreen and flagged one down. Fifteen minutes later and we were still in the city. I double-checked with the other passengers, "Aeroport?" "Nyet!" came the chorused reply followed by furious pointing in the opposite direction. I jumped out in a dreary suburb, crossed the road and the rain fell harder. Eventually another marshrutka came along and this time my "Aeroport?" query was answered with nodding heads. I folded myself against the back windshield and passed my fare over many heads to the driver. My glasses steamed up. Finally, through a smeary window I saw a plane landing and squeezed out. Patience was the best thing I packed.

Kyiv, Ukraine, April 2008

I knew things would be a little difficult in Kyiv when I spotted Air Force One on the tarmac as I landed. Major roads in the city were blocked off and the police were at every junction. In Independence Square, scene of the Orange Revolution in 2004, an anti-NATO rally was in full swing. Hammer & sickle flags flew over a makeshift stage and martial music blasted into my hotel room at the other end of the square.

I felt as if I was an extra in a cold-war drama & began to double back on myself to shake off potential spies. I kept getting lost, frantically turning corners like a headless chicken. Kyiv was difficult to map mentally and I pitied those on my tail, real or imaginary. The hotel was owned by the Ministry of Defence and my room felt as if Stalin had broken in and stolen everything that wasn't brown. Twice the phone rang and yet each time I answered, there was silence.

In a way George Bush helped me out. I had to find a way around the blockages and followed the locals scaling walls and sliding down grassy banks. I saw a side of the city that was off the map and a little muddy.

I walked to Dynamo Kyiv’s stadium, sunk into a bowl and surrounded by chestnut trees. A statue to legendary coach Valery Lobanovsky sat outside, perched on the bench in an era before chalked technical areas. He looked trim in bronze but an adjacent billboard showed him in later years, bloated and blotchy. A bridge spanned the ring-road below and connected the parks on either side. Clamped to the bridge, amid the football graffiti, were thousands of padlocks; lovers initials etched or inked into the metal.

In two days, I covered a lot of ground, visiting the monasteries of Pecherska Lavra, discovering a glimpse of the intensity of Eastern Orthodox religion in the caves that ran underneath. I ate at a restaurant with an 18th century rustic theme and watched football in a modern Irish pub. On the Andriyivskyi Descent I was confused by Bulgakov’s birthplace and sobered by the Chernobyl museum in Podil with its mutated river creatures and ghost town signs. And all the time behind and in front of me, the golden domes of Kyiv’s churches.

I left Kyiv, walking up to the metro station under a night sky just beginning to blue. Aside from streetsweepers and dog walkers, I was on my own and the city looked peaceful; no barricades or police or Death to the Imperial West banners. I dived into the metro, down into the depths of the earth, through beautiful brick arches and clean-tiled caverns and followed the President of the USA back to the west.

Northern Ireland, Nov 2007

At George Best airport in Belfast, I cleverly bypassed the bag-in-the-hold queues by forgoing toiletries. A sprint around the chemist replenished my needs. In retrospect, I should have paid greater concentration in the dental section. What appeared to be some kind of Irish branded toothpaste turned out to be denture cream. I found out the hard way, scraping the gluey gunk from the roof of my mouth. The memory still makes me gag.

Architecturally, Belfast is defensive looking. Even the new boutique shops and 'cathedral quarter' redesignation can't hide the recent history and where other cities would have smothered facades with glass, Belfast is more hesitant. Whether this is the subconscious working, I don't know. The black taxi tour of 'The Troubles' was grimly fascinating. On the Protestant Shankill Road, blue skies shone on the Red Hand of Ulster mural and a powerful painted image of a lone UFF soldier trained his rifle as I crept past.

On the other side of the dividing line, the rain came down on Bobby Sands and the wall of empathising murals ranging from Palestine to the Basque Country. Even the weather seemed split by the sectarian divide.

Samuel Johnson once said the Giant's Causeway was "worth seeing, yes, but not worth going to see." This was a time before the Antrim Coast Road had been blasted through the rock. The modern route from Belfast is dramatic, the sea spraying the road, and Scotland visible on the horizon. The modern pleasure lies in the journey too.

At the Causeway, unexpected November sunshine played across the stone polygons and, squinting, I thought of a tumbled Inca wall. I preferred the myth to the science, the clever giant over the cooling lava.

I went to Derry because that's where the Undertones were from and therefore it couldn't be bad. I was surprised at the clarity of the murals in Catholic Bogside. No ambiguity here. Multi-coloured provocation, pushed right against the city walls, "You are now entering Free Derry" says one, another depicts a jailcell and all the people represented, were dead.